530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street
Tue - Sat, 11am - 6pm
Z. Michael Schmidt
Tripping the Light Fantastic
Agora Gallery
New York,NY

  • Cleopatra,  (New York)   Cleopatra,
    (New York)
    Silver Halide
    30" x 16"
    Z. Michael Schmidt

  • Sphinx,  (Egypt)   Sphinx,
    (Egypt)
    Silver Halide
    16" x 30"
    Z. Michael Schmidt

  • The Homeless Lion  (in color)   The Homeless Lion
    (in color)
    Silver Halide
    24" x 16"
    Z. Michael Schmidt

  • Señor Louis,  (New York)   Señor Louis,
    (New York)
    Gelatin Silver Photo
    10" x 8"
    Z. Michael Schmidt

  • It Is What It Is, New York  (in color)   It Is What It Is, New York
    (in color)
    Silver Halide
    24" x 16"
    Z. Michael Schmidt

  • Smile,  (Switzerland)   Smile,
    (Switzerland)
    Gelatin Silver Photo
    12" x 8"
    Z. Michael Schmidt


Z. Michael Schmidt

Z. MICHAEL SCHMIDT

Tripping the Light Fantastic
December 7 - January 18, 2018
Reception: Thursday December 7, 2017 6-8 PM

Z. Michael Schmidt’s predominantly black-and-white photographic portraits depict the solitude of the human condition with compassionate simplicity. Never posing his subjects or imparting instructions, Schmidt’s tightly cropped images focus on faces and the stories they tell. Stark, clear, and straightforward, his images are pared down to their essentials, the subjects weaving complex webs of human emotion via simple gestures and candid expressions.

In early works including Scream, (Switzerland), Secrets, (Switzerland), and Smile, (Switzerland), Schmidt captures his animated subjects in tight compositions. Rich with subtle detail, these photographs, taken in an asylum, emote the diverse reactions to involuntary enclosure. In his later contemplative portraits documenting the every day Señor Louis, (New York), Pensive (New York), Father and Son (Jerusalem), and Cleopatra (New York), the artist exposes the psychology of his subjects with solemn intensity. These works adopt a serious tone, documenting unspoken exchanges and complex body language with grace and empathy.

Sphinx, (Egypt), an outlier in an oeuvre of portraits, chronicles a desert journey on horseback, capturing the countenance of the Sphinx like a traditional portrait.