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Shlomo Israeli
Digitally Represented Artist
Agora Gallery
530 West 25th StreetNew York,NY
Previous Artist
  • Back and White
Archival Pigment Print
29.5" x 39.5" 

    Back and White

    Archival Pigment Print
    29.5" x 39.5"
  • Boats
Archival Pigment Print
29.5" x 39.5" 

    Boats

    Archival Pigment Print
    29.5" x 39.5"
  • City
Archival Pigment Print
35.5" x 35.5" 

    City

    Archival Pigment Print
    35.5" x 35.5"
  • Future
Archival Pigment Print
29.5" x 35.5" 

    Future

    Archival Pigment Print
    29.5" x 35.5"
  • Green
Archival Pigment Print
29.5" x 43.5" 

    Green

    Archival Pigment Print
    29.5" x 43.5"
  • Lake
Archival Pigment Print
22" x 54" 

    Lake

    Archival Pigment Print
    22" x 54"
  • Rain Story
Archival Pigment Print
35.5" x 29.5" 

    Rain Story

    Archival Pigment Print
    35.5" x 29.5"
  • Sttreet
Archival Pigment Print
18" x 47.5" 

    Sttreet

    Archival Pigment Print
    18" x 47.5"
  • Tel Aviv
Archival Pigment Print
35.5" x 35.5" 

    Tel Aviv

    Archival Pigment Print
    35.5" x 35.5"
  • Thought
Archival Pigment Print
35.5" x 29.5" 

    Thought

    Archival Pigment Print
    35.5" x 29.5"
  • Tree
Archival Pigment Print
22" x 54" 

    Tree

    Archival Pigment Print
    22" x 54"
  • Window
Archival Pigment Print
29.5" x 39.5" 

    Window

    Archival Pigment Print
    29.5" x 39.5"
Next Artist
Shlomo Israeli

The photos of Shlomo Israeli observe without yielding utterly to the the objectivity of what they capture. There’s typically something on the wing in Israeli’s pictures: something furtively animate, if not quite displaced. This could be a head of hair, a cityscape in motion, or a succession of boats on water. In all these cases, what’s brought to the light of the photographic lens is time. Israeli’s photos fixate on time in all its forms—aging, motion, the perspectival diminishment of an object as it recedes into the horizon.

Israeli has realized a mode of photography that hovers somewhere between the cinematic and documentarian. The photo Back and White, for example, focuses on the back of a woman’s head. As indicated by the picture’s title, however, the subject-matter is not so reductive. The white-haired woman’s black suit is like the darkness of night. Her hair, by contrast, seems to gently sway in wind, almost forming a piece with the patterned wood on the left side of the image.




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