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Anina E. Hathaway
Digitally Represented Artist
Agora Gallery
530 West 25th StreetNew York,NY
Previous Artist
  • 2012.VII.16
Acrylic & Mixed Media on Wood Panel
24" x 24" 

    2012.VII.16

    Acrylic & Mixed Media on Wood Panel
    24" x 24"
  • 2013.III.19
Acrylic on Canvas
30" x 36" 

    2013.III.19

    Acrylic on Canvas
    30" x 36"
  • 2014.VII.8
Acrylic & Ink on Wood
18" x 24" 

    2014.VII.8

    Acrylic & Ink on Wood
    18" x 24"
  • Alive
Acrylic & Ink on Canvas
48" x 48" 

    Alive

    Acrylic & Ink on Canvas
    48" x 48"
  • Home/Sun/Solitude
Acrylic & Ink on Canvas
48" x 48" 

    Home/Sun/Solitude

    Acrylic & Ink on Canvas
    48" x 48"
  • EotB2012 Series
Watercolor & Pencil on Paper
12" x 40" 

    EotB2012 Series

    Watercolor & Pencil on Paper
    12" x 40"
  • Dasein/Transcendence/Existenz
Acrylic & Ink on Canvas
48" x 48" 

    Dasein/Transcendence/Existenz

    Acrylic & Ink on Canvas
    48" x 48"
  • Be Present
Acrylic & Ink on Canvas
48" x 48" 

    Be Present

    Acrylic & Ink on Canvas
    48" x 48"
  • Transformation
Acrylic on Canvas
36" x 40" 

    Transformation

    Acrylic on Canvas
    36" x 40"
  • Sound is Golden
Acrylic on Wood Panel
36" x 36" 

    Sound is Golden

    Acrylic on Wood Panel
    36" x 36"
  • Untitled  (A Work in Progress)
Acrylic & Ink on Wood
36" x 36" 

    Untitled
    (A Work in Progress)

    Acrylic & Ink on Wood
    36" x 36"
  • Reflection
Acrylic & Mixed Media on Canvas
36" x 72" 

    Reflection

    Acrylic & Mixed Media on Canvas
    36" x 72"
  • Bilateral Coch Head
Digital Black & White Photography
19" x 40" 

    Bilateral Coch Head

    Digital Black & White Photography
    19" x 40"
Next Artist
Anina E. Hathaway

Anina E. Hathaway creates dripping meditations on the nature of consciousness and perception. Similar to a liquid, awareness seems capable of taking on many forms as is determines the composition and arrangement of materials objects. Following this, there is often a patina of obscurity in Hathaway’s work: a sort of foregrounded layer that occludes a landscape situated directly behind it. As a compositional maneuver, this foregrounded layer makes what lies behind it appear more tantalizing than it otherwise would. 

The painting titled 2013.III.19 is quite possibly Hathaway’s most watery work, depicting a landscape that verges into blue abstraction. The thick, stalactites of paint forming at the top of the canvas seem to drip downwards like candle-wax, obscuring the brushwork that underlies it. The application of an added layer of paint over an original surface lends the work a sculptural quality, the cavernous space suggested by the second layer of paint echoing the tactility of actual stone reflecting the aura of lambent light. The branching formations at the bottom left of the canvas only enhances painting’s organic feel.




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