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Talal Chadli
Artexpo Art Fair - New York
Agora Gallery
530 West 25th StreetNew York,NY
Previous Artist
  • Untitled 3
Acrylic & Pencil on Canvas
19.5" x 15.5" 

    Untitled 3

    Acrylic & Pencil on Canvas
    19.5" x 15.5"
  • Untitled 13
Acrylic, Marker & Spray Paint on Canvas
39.5" x 39.5" 

    Untitled 13

    Acrylic, Marker & Spray Paint on Canvas
    39.5" x 39.5"
  • Untitled 8
Acrylic, Marker & Spray Paint on Canvas
39.5" x 31.5" 

    Untitled 8

    Acrylic, Marker & Spray Paint on Canvas
    39.5" x 31.5"
  • Untitled 7
Acrylic, Marker & Spray Paint on Canvas
39.5" x 31.5" 

    Untitled 7

    Acrylic, Marker & Spray Paint on Canvas
    39.5" x 31.5"
  • Untitled 1
Acrylic & Spraypaint on Canvas
39.5" x 31.5" 

    Untitled 1

    Acrylic & Spraypaint on Canvas
    39.5" x 31.5"
  • Untitled 19
Acrylic, Marker & Spray Paint on Canvas
39.5" x 39.5" 

    Untitled 19

    Acrylic, Marker & Spray Paint on Canvas
    39.5" x 39.5"
Next Artist
Talal Chadli

TALAL CHADLI

Artexpo Art Fair - New York
April 23 – April 26, 2020
Reception: Friday, April 24, 2020 6-8 PM

With interests deeply rooted in graffiti, Parisian artist Talal Chadli fearlessly tags his canvases. In search of freedom of expression, Chadli first experienced an adrenaline rush when completing a street painting. Since then, he has learned to communicate in a sophisticated visual language all his own, through emotive line work and dramatic color choices which he expresses in acrylic paint on canvas.

Chadli’s works primarily revolve around the main features of the face: eyes, nose and mouth. Often featuring forms that resemble theatrical masks, the paintings possess a festive quality that enhances the psychological mood of the images. The eyes in Chadli’s paintings are often vacant space, functioning as a mirror and prompting the viewer to question if they are looking at the painting or if the painting is looking back at them. The relationship of the background to the mask is nearly seamless, as the two seem almost to become part of the same thing, neither having a distinctive endpoint. This expansiveness allows the viewer to imagine being enveloped in the color of the painting, playing a role which has been authored by Chadli, and written in paint.




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