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530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street
Tue - Sat, 11am - 6pm
Romaric Bonne
Digitally Represented Artist
Agora Gallery
530 West 25th StreetNew York,NY
Previous Artist
  • Deslouise
Oil on Paper
16" x 20.5"   Deslouise
    Oil on Paper
    16" x 20.5"
    Romaric Bonne

  • Eenarth
Oil on Linen
26" x 32.5"   Eenarth
    Oil on Linen
    26" x 32.5"
    Romaric Bonne

  • Eenarth - L'age Adulte
Oil on Linen
22" x 18.5"   Eenarth - L'age Adulte
    Oil on Linen
    22" x 18.5"
    Romaric Bonne

  • Immense
Oil on Linen
9.5" x 12"   Immense
    Oil on Linen
    9.5" x 12"
    Romaric Bonne

  • L'idee Que Nous Avions de Vous
Oil on Linen
26" x 32"   L'idee Que Nous Avions de Vous
    Oil on Linen
    26" x 32"
    Romaric Bonne

  • Loin de Ceux
Oil on Linen
20" x 28"   Loin de Ceux
    Oil on Linen
    20" x 28"
    Romaric Bonne

  • Lueur Sûre
Oil on Linen
18.5" x 22"   Lueur Sûre
    Oil on Linen
    18.5" x 22"
    Romaric Bonne

  • Margaan
Oil on Linen
32" x 46"   Margaan
    Oil on Linen
    32" x 46"
    Romaric Bonne

  • Mori
Oil on Wood
24.5" x 34"   Mori
    Oil on Wood
    24.5" x 34"
    Romaric Bonne

  • Nevada
Oil on Linen
26" x 32"   Nevada
    Oil on Linen
    26" x 32"
    Romaric Bonne

Next Artist
Romaric Bonne

Artist Romaric Bonne adds a narrative to every scene. From shadowy interiors to the remote wilderness, his paintings capture specific interactions between characters. Growing up near a small theatre in the French Alps, Bonne understands the hook of a compelling story as he traces individual relationships. In Eenarth - L'age Adulte, a man shines a movie camera into another man’s face as he pins him down against a narrow hallway. In Margaan, a naked woman struggles against her captors with her face masked in shadow. The story begins at the height of the climax, with the viewer walking in during the most disturbing part of the film.

The artist renders these intimate scenes with the upmost attention to detail. His uses somber tones and black empty space to hint at the private struggles of contemporary life. As his characters toil away in the shadows, their suffering seems to go unnoticed. Dim and full of dread, his paintings offer no respite from this cruel reality, just an honest look at the way people live their lives when no one’s looking.





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