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530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street
Tue - Sat, 11am - 6pm
Lorraine McInnes
Modalities of Expression
Agora Gallery
530 West 25th StreetNew York,NY
Previous Artist
  • Albert
Acrylic on Canvas
31" x 31"   Albert
    Acrylic on Canvas
    31" x 31"
    Lorraine McInnes

  • Angst Ape
Acrylic on Canvas
31" x 31"   Angst Ape
    Acrylic on Canvas
    31" x 31"
    Lorraine McInnes

  • Beetleface
Reduction Linocut on Rag Paper
20" x 20"   Beetleface
    Reduction Linocut on Rag Paper
    20" x 20"
    Lorraine McInnes

  • Mona
Acrylic on Canvas
41" x 31"   Mona
    Acrylic on Canvas
    41" x 31"
    Lorraine McInnes

  • Lost In New York
iPhone Photography on Aluminum
25" x 55"   Lost In New York
    iPhone Photography on Aluminum
    25" x 55"
    Lorraine McInnes

  • Hidden Human Persona 5
Collograph Print on Rag Paper
30" x 20"   Hidden Human Persona 5
    Collograph Print on Rag Paper
    30" x 20"
    Lorraine McInnes

Next Artist
Lorraine McInnes

LORRAINE MCINNES

Modalities of Expression
November 3 – November 24, 2015
Reception: Thursday, November 5, 2015 6-8 PM

“My works begin with an idea, a note, a drawing, and then develop from there,” artist Lorraine McInnes says, and in her colorful images, that development takes many routes. A keen observer of the world around her, McInnes turns her observations into studies of what lies beneath the surface. In some pieces, the artist's own face peers out at us through a mask. In others, we are presented with portraits of murderers. In all of them, her deep studies peel away their subjects’ defenses. The eyes of those subjects often become a gateway into their internal states, whether through the glowing eyes of a lion or the blank, almost pasted-on eyes of a serial killer.

Working in media that range from collagraphs and linocuts to paintings and digital prints, the artist makes effective use of her sharp eye for color and her ability to manipulate textures. “I want the viewer to look at my work and feel the emotion of it,” she notes, and the physical power of her images, combined with their subtlety and depth, make that emotional connection come alive.





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