Eme Erre’s artistry revels in black and white contrasts, and repetition. With this, Erre has a decided penchant for grids, which act as a sort of map in her work—an analytic archive detailing the stages of a figure’s emergence into visibility. This grid aspect lends her work a self-reflexive level of commentary that involves the viewer in the creation of a work’s meaning. Modelo 01, for instance, is an almost Rorschach-like diagram which seems to detail the developmental stages of an embryonic figure, the formal repetition of the work being anticipated by its grid-like structure.
