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530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street, New York, NY  Tue - Sat, 11am - 6pm
530 West 25th Street
Tue - Sat, 11am - 6pm
Ashley Hanson
Discovery: Contemporary Art Perspectives from England
Agora Gallery
530 West 25th StreetNew York,NY

  • City of Glass 19 –  (Park Avenue)   City of Glass 19 –
    (Park Avenue)
    Oil on Canvas
    79" x 20"
    Ashley Hanson

  • City of Glass 2 –  (Hotel Harmony)   City of Glass 2 –
    (Hotel Harmony)
    Oil on Canvas
    59.5" x 47.5"
    Ashley Hanson

  • City of Glass 20 –  (Cage)   City of Glass 20 –
    (Cage)
    Oil on Canvas
    35.5" x 24"
    Ashley Hanson

  • City of Glass 26 –  (Avenues), City of Glass 25 –  (Streets)   City of Glass 26 –
    (Avenues), City of Glass 25 –
    (Streets)
    Oil on Canvas, diptych
    28" x 43.5"
    Ashley Hanson

  • City of Glass 30 –  (Celestial/Grand Central)   City of Glass 30 –
    (Celestial/Grand Central)
    Oil on Canvas
    39.5" x 31.5"
    Ashley Hanson

  • City of Glass 31 –  (A Study in Violet)   City of Glass 31 –
    (A Study in Violet)
    Oil on Canvas
    71" x 79"
    Ashley Hanson

  • City of Glass 33 –  (Buried)   City of Glass 33 –
    (Buried)
    Oil on Canvas
    39.5" x 39.5"
    Ashley Hanson

  • City of Glass 37 –  (PLOT.noun, PLOT.verb)   City of Glass 37 –
    (PLOT.noun, PLOT.verb)
    Oil on Canvas
    39.5" x 39.5"
    Ashley Hanson

  • City of Glass 6 –  (Pages 106 - 112)   City of Glass 6 –
    (Pages 106 - 112)
    Oil on Canvas
    59.5" x 47.5"
    Ashley Hanson

  • City of Glass 63 –  (The Book is the Tower is Central Park is the dark blue of night is the Book)   City of Glass 63 –
    (The Book is the Tower is Central Park is the dark blue of night is the Book)
    Oil on Canvas
    24" x 28"
    Ashley Hanson


Ashley Hanson

ASHLEY HANSON

Discovery: Contemporary Art Perspectives from England
November 10 – December 1, 2018
Reception: Thursday, November 15, 2018 6-8 PM

Artist Ashley Hanson reimagines the city of New York as a colorful labyrinth of slanting lines in his series City of Glass. Taking inspiration from the written word, the artist imposes his feelings and imagination onto the streets and buildings displayed on a map. Hanson fuses the mysteries of his subconscious with the physical reality that surrounds him, blurring the lines between truth and fiction.

Every painting in the series draws the viewer in with vibrant splashes of color. The artist uses a wet-on-wet approach to oil painting, layering sheets of liquid color, refined and cut with brush and knife or left pure, hovering on the surface. In City of Glass 63, an intense sliver of dark blue paint becomes Central Park, grounding the viewer in reality, while chaotic fields of color subvert the viewer’s expectations, forcing them to take a second look. In City of Glass 30, Grand Central morphs into a starry celestial plane, creating a bridge between this world and the next. Hanson asks us to reckon with the differences between what is true and what we believe to be true.