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Agora Art Gallery – Contemporary Art Dealers


Paola Tarasconi

Taking a Break in “Piazza Caricamento”, Genova 2006, Black & White Paper Print, PhotographyTaking a Break in “Piazza Caricamento”, Genova 2006, Black & White Paper Print, Photography
Every Day Meeting, Genova 2006, Black & White Paper Print, PhotographyEvery Day Meeting, Genova 2006, Black & White Paper Print, Photography
Man Standing in the “Darsena”, Genova 2006, Black & White Paper Print, PhotographyMan Standing in the “Darsena”, Genova 2006, Black & White Paper Print, Photography
Through the “Ripa”, Genova 2006, Black & White Paper Print, PhotographyThrough the “Ripa”, Genova 2006, Black & White Paper Print, Photography
Taking a Break in “Piazza Caricamento”, Genova 2006
Black & White Paper Print
9" x 12"
Every Day Meeting, Genova 2006
Black & White Paper Print
9" x 12"
Man Standing in the “Darsena”, Genova 2006
Black & White Paper Print
9" x 12"
Through the “Ripa”, Genova 2006
Black & White Paper Print
12" x 9"

Cafè, “Ripa”, Genova 2006, Black & White Paper Print, PhotographyCafè, “Ripa”, Genova 2006, Black & White Paper Print, Photography
Cafè, “Ripa”, Genova 2006
Black & White Paper Print
12" x 9"

Tripping the Light Fantastic: The Fine Art Photography Exhibition
Reception: Thursday, November 29, 2007 6-8 PM
Exhibition Dates: 11/20/2007 - 12/11/2007

 
Press Release

Texture, line and a subtle sense of narrative imbue the photography of Paola Tarasconi. Capturing the urban images of Genova, Italy, Tarasconi’s unique perspective and eye for contrasting patterns and ideas, grants the viewer a wholly original view of modern reality. Tarasconi earned her degree in Architecture from the University of Venice and this specialization has no doubt informed her photography, as her work shows a special interest in the elegance of connections between people, buildings and roads.

In Tarasconi’s work, all elements work together to tell a story about interconnection between self and world. She says, “through photography we can see something like a third eye of the person, the eye that we can’t see… the kind of eye that doesn’t have any color or shape, but the eye which contains our whole hidden world.” Such insights into the relationship between art and human nature continue to inform Tarasconi’s work amd to intrigue the viewer, whose perspective will be enriched by this departure from ordinary perspectives.



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