Agora Art Gallery – Contemporary Art Dealers


Neil Masterman

Caribbean Sunset, Acrylic on Paper, PaintingCaribbean Sunset, Acrylic on Paper, Painting
Norwich Mish Mash, Acrylic on Paper, PaintingNorwich Mish Mash, Acrylic on Paper, Painting
Wheatfields, Acrylic on Paper, PaintingWheatfields, Acrylic on Paper, Painting
Sunset II, Acrylic on Paper, PaintingSunset II, Acrylic on Paper, Painting
Caribbean Sunset
Acrylic on Paper
22" x 17.5"
Norwich Mish Mash
Acrylic on Paper
18.5" x 22"
Wheatfields
Acrylic on Paper
22" x 16"
Sunset II
Acrylic on Paper
18" x 19"

Bishops House, Acrylic on Paper, PaintingBishops House, Acrylic on Paper, Painting
You Guess, Acrylic on Paper, PaintingYou Guess, Acrylic on Paper, Painting
Red Houses After Van Gogh, Acrylic on Paper, PaintingRed Houses After Van Gogh, Acrylic on Paper, Painting
Lips, Acrylic on Paper, PaintingLips, Acrylic on Paper, Painting
Bishops House
Acrylic on Paper
23.5" x 27.5"
You Guess
Acrylic on Paper
23" x 15"
Red Houses After Van Gogh
Acrylic on Paper
24" x 27.5"
Lips
Acrylic on Paper
16" x 13"

Penny's Flowers, Acrylic on Paper, PaintingPenny's Flowers, Acrylic on Paper, Painting
My Back Garden, Acrylic on Paper, PaintingMy Back Garden, Acrylic on Paper, Painting
Troubles Gone, Acrylic on Board, PaintingTroubles Gone, Acrylic on Board, Painting
Lanzarote, Acrylic on Paper, PaintingLanzarote, Acrylic on Paper, Painting
Penny's Flowers
Acrylic on Paper
18" x 14"
My Back Garden
Acrylic on Paper
18.5" x 23.5"
Troubles Gone
Acrylic on Board
19" x 22"
Lanzarote
Acrylic on Paper
21" x 18"

Color of Reverie
Reception: Thursday, June 26, 2008 6-8 PM
Exhibition Dates: 6/26/2008 - 7/17/2008

 
Press Release

The self-taught British painter Neil Masterman employs multiple styles in his acrylic works, combining impressionism, expressionism, abstraction and fauvism (to name his most overt allusions). His paintings are dominated by strong colors, generally in a wide variety rather than within a single hue. Working with the expressive qualities of his bold colors, Masterman often forgoes minute details, conveying emotion, texture and movement through juxtapositions of strong color planes.

Throughout these mingling styles and colors, Masterman maintains a stable and recognizable aesthetic all his own. This personal style emerges from the uncanny impact of his paintings: at first glance their allusions to earlier styles make them seem familiar, but further engagement reveals their originality. Masterman’s works do not simply allude to preceding artistic traditions. He renews their immediacy in several ways: by placing stronger colors into jarring proximity, by choosing certain extremely contemporary subjects, finally by creating his own hybrid mode through these multiple styles brought into dialogue within his canvases.



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