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  • Sanitary Napkins
    Mixed Media
    55" x 39" x 47"


Magda DiniMagda Dini

Magda Dini

Elements of Abstraction
October 27 - November 17, 2009 Reception: Thursday October 29, 2009 6-8 PM

Press Release

Magda Dini’s unique brand of art mesmerizes viewers with imagery that builds momentum through layer upon layer of linework, confounding one’s sense of depth and motion. With countless layers of wriggling lines and tones the audience is required to yield, letting the work wash over their awareness and lead them where it will. The repetition of linear form becomes a screen that shimmers with movement and provides a meditative, atmospheric presence. Though the final work is created with either paint or silkscreen printing, Dini begins by fashioning small sculptures and using these unique forms to create her two-dimensional works. Growing up in a close-knit community in Djibouti affected the premise behind the creation of art for Dini. "Appearances were very important [in order] to keep intimacy," she states. "I think that my work is essentially based on the relation between reality and appearance."

Selected in the 2008 Chelsea International Fine Art Exhibition, Magda Dini is a young artist with energy, optimism and a career that is beginning to blossom through exhibitions in New York. She curently lives and works in Paris.


Artist Statement

Most often, I sculpt with little manufactured items, but I'm drawing (with ink) too and I'm doing a lot of silkscreen printing.

My artworks are most often a work on the material itself. Indeed, I'm testing matérial's work through the accumulation of the same ornamental. The medium is my first concern. For my sculpture, I find the manufactured item, then I test it and after I picture what I could do with it.

For my drawing, it's the superposition of the same ornamental which make the material itself. The accumulation deprives the ornemental of it's first signification and  then I can choose a new one. Most often, at first, my artwork seemed to be a girly one, but when we pay attention, we can see a second degree.

I'm working on the fusion of the beautiful and the ugly, on the ambivalence between the apparence and the reality.



Invitation to the exhibition | View the catalog page

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