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  • Life's Tree
    Mixed Media on Wood
    31.5" x 24"

  • I Sent You All the Angels
    Mixed Media on Wood
    31.5" x 24"

  • Fire's Opera
    Mixed Media on Wood
    31.5" x 24"

  • Operatio: Sublimination
    Mixed Media on Wood
    31.5" x 24"


Gery LamarreGery Lamarre

Géry Lamarre

The French Perspective: Contemporary Art from France
June 27 - July 17, 2009 Reception: Thursday July 2, 2009 6-8 PM

Press Release

Géry Lamarre mixes colors and lacquers, applying hues then reshaping and mixing them so as to record his gestures in form and tone. The French painter explains that this blending technique was inspired by water, and there’s an unmistakably fluid, immersive quality to his more or less reflective, translucent paints. His identification with water results not only from living near France’s northern coast, but also from time spent in New Caledonia. The confluence of colorful liquids across Lamarre’s canvases varies between abstract expressionism and action painting, where shades and textures flow into one another, sometimes blending and elsewhere competing for dominance.

 

The elemental imagery in Lamarre’s work, the impression of watching primal forces meeting and melding in alternately explosive and smooth compositions, lends them universal immediacy. Seeing his canvases change depending on lighting and position recalls the geological upheavals of the planet’s creation, the bodily forms and movements of child birth, the pulsing energies of human passion and no less the artist’s eloquent gestures.


Artist Statement

For several years now I have tried by means often unrelated to painting to create works which move, which are not stationary. These works integrate video, wind and various objets, such as fans. Since 2002, while continuing down these experimental paths I have felt the need to return to the senses of sight, smell and touch and to the predominance of gesture over concept. I make use of a technique similar to that of Chinese and Japanese lacquers to produce work which changes according to the position and surroundings of the viewer and the light. The viewer finds themselves captivated and reflected in the picture which acts like a mirror. The meditations on reflections in water which I have had while walking were the starting point of my use of lacquer techniques, whilst the movement of  colours and forms lends itself  to a tranquil yet dynamic approach.

Invitation to the exhibition | View the catalog page

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Artists in this exhibition
Visage 0124Maud 311Tendre ChaosDésirade AntillesEruptives ProfusionsPeopleTaraNew EveFlying to the SeaExtravaganza of Monet's GardensGowip 240-60Archetypal Face 3Life's Tree

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