Maria Onyegbule’s multicultural heritage, extensive travels and training in art and
fashion design are immediately apparent upon seeing her strikingly warm
and dynamic paintings. Whether employing the spectacular color palettes of
African textiles, or a two-toned aesthetic reminiscent of harlequin costumes
and the masks of Japanese Noh Theater, she renders facial expressions, fabrics
and clothes with a captivating sensitivity to movement, rhythm and texture.
Every feature in the British artist’s oil compositions, from monochrome swaths
of textiles to places where patterns evolve into overwhelming abstract
compositions, is spectacularly vibrant.
Her
work emerges from a familiar confluence of regional iconographies and
historical styles, yet is irrepressibly alive and brimming with power. Onyegbule
creates hybrid images that are just as liable to evoke traditional East African
clothing, post-Impressionist painting, modern dance or the contemporary
neo-figurative movement. It is this notion of merging styles that lends her
canvases an uncanny combination of timelessness and immediacy. Not quite posed,
but not chaotic either, Maria Onyegbule’s paintings strike a delightfully
mysterious and intriguing balance.