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  • Turtle Reef
    Acrylic
    24" x 30"

  • Clear Water Ebb Tide
    Acrylic
    24" x 30"

  • First to the Mark
    Acrylic
    30" x 30"


Leigh GordonLeigh Gordon

Leigh Gordon

Out From Down Under & Beyond: Fine Art From Australia and New Zealand
May 12 - June 1, 2011 Reception: Thursday May 12, 2011 6-8 PM

Press Release

Leigh Gordon’s coastal scenes and submarine nature paintings have that unique balance of lived-in specificity and evocative stylization that every great figurative artist wields. Her refreshing, sun-splashed views of beaches and reefs in Queensland draw on viewers’ own maritime experiences while portraying uniquely Australian sights with powerful aesthetic vision. Almost every acrylic canvas is dominated by a superb spectrum of blues, from light, tropical tones to deep royals. In many cases she uses these colors as the visual foundations for her compositions, punctuating aquatic fields with bursts of contrasting and complimentary hues.

Bright reds, oranges and yellows leap from cool blue waters, creating fluid interplays between foreground and background, subject and setting. Gordon crafts specific textures like the rounded surfaces of gentle waves, birds’ wind-stroked feathers and the smooth, surreally colorful skins of fish. All this attention to sharp detail, combined with carefully poised outlines and a level of impressionistic application, makes each composition infinitely enthralling. Each painting takes us back to the beach.


Artist Statement

The past year has been a tremendous growth period for me both technically in my art practice and in terms of my confidence. I enjoyed last year’s Agora exhibition very much and it has been a fundamental part of my development. Composition and colour are the two main elements that have become the signature of my work. Because I paint every day I sometimes fixate on a detail, and then have to separate myself from that painting and begin another to relax and become free again. None of my work is a lucky accident; I will finish a work then look at it for weeks on an easel in the most prominent position in my home to see where my eye rests and correct any minor details that displease me. Yet when the work is finished and on display, I am often told how restful the work appears.

Invitation to the exhibition | View the catalog page

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