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  • Angst
    Bronze & Wood
    25" x 7" x 5.5"

  • Resistance
    Bronze & Concrete
    68" x 9" x 4"

  • Obelisk
    Bronze & Concrete
    78" x 11" x 11"

  • A Collective of Small Voices V
    Bronze & Concrete
    13" x 5" x 5"

  • A Collective of Small Voices I
    Bronze & Concrete
    13" x 5" x 5"

  • A Collective of Small Voices VI
    Bronze & Concrete
    13" x 5" x 5"

  • A Collective of Small Voices III
    Bronze & Concrete
    13" x 5" x 5"

  • A Collective of Small Voices II
    Bronze & Concrete
    13" x 5" x 5"

  • A Collective of Small Voices IV
    Bronze & Concrete
    13" x 5" x 5"

  • Story Board 4
    18k Gold, Copper, Wood & Concrete
    30" x 30" x 2"

  • Story Board 5
    18k Gold, Copper, Wood & Concrete
    30" x 30" x 2"

  • Story Board 3
    18k Gold, Copper, Wood & Concrete
    30" x 30" x 2"

  • Story Board 2
    18k Gold, Copper, Wood & Concrete
    30" x 30" x 2"

  • Story Board 1
    18k Gold, Copper, Wood & Concrete
    30" x 30" x 2"


Evelyn Wang

The 2009 Chelsea International Fine Art Competition - Collective Exhibition
August 14 - September 2, 2009 Reception: Thursday August 20, 2009 6-8 PM

Press Release

Evelyn Wang’s sculpture and bas-relief contains a dialogue between the interior/exterior space and the bronze’s undulating surface. Only partially accessible, they radiate uncertainty and volatility. Her figures’ unfinished limbs are elegant despite their rough veneer, and the intimate scale invites viewers to internalize their expressiveness. A parallel series, Story Board, depicts charged images on fragile gold sheets. The subtle texture juxtaposed with the material’s loudness suggests openness of interpretation. A University of Waterloo graduate, Wang has exhibited nationally. She works in New York., from loneliness and contemplation to expectation. Each gesture that Wang puts into her work metaphorically imbues life’s raw material with form. The unfinished limbs of her figures are elegant despite their rough veneer, and the figures’ intimate scale invites viewers to internalize their expressiveness.

Wang uses wax as the conduit for her bronze sculptures, a practice that connects her with art’s long history. A graduate of the University of Waterloo, Wang has exhibited nationally. She works in New York City.


Artist Statement

In both sculpture and bas relief I am inspired by process and raw material with attention to surface, space, composition, form and scale. With the figure as a central means of expression I try to create a platform for a voice to be heard. These voices are small gestures that embody the masses and explore a universal human condition. The scale of these figures enables the audience to visually absorb them as a whole. They demand up-close attention be paid to their inherently fleeting impression. Some figures are precariously placed atop concrete structures. Others emerge from extremely flat surfaces with little space to move. Yet they are all accessible, interacting with the viewer, their surroundings and one another.


Invitation to the exhibition | View the catalog page

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