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  • The Stains of Time
    Acrylic & Mixed Media on Canvas
    36" x 24"

  • The Reanimation of a Body in Ruin
    Mixed Media & Acrylic on Canvas
    20" x 60"

  • Relic
    Acrylic on Canvas
    36" x 24"

  • Benieth the Remains
    Acrylic on Canvas
    36" x 24"


Chris SpuglioChris Spuglio

Chris Spuglio

Interpretive Realms
July 26 - August 16, 2011 Reception: Thursday July 28, 2011 6-8 PM

Press Release

Chris Spuglio’s acrylic on canvas paintings focus on his impressive impasto texturization and appealing geometric abstraction. Working in earth tones, largely rust, charcoal, maroon, burnt umber and indigo, his work considers transitions between the stages of existence and non-existence. Evidence of growth, repair and decay dominate the composition in elegiac reflections on absence, loss and regeneration.  The metaphysical leaning and skillful rendering of organic matter gives each piece a unique and startling effect. At one time, a shimmering haze or opalescent finish might give the work a surprising, almost heavenly glimmer. At other times, an allusion to acid rain, erosion or natural disaster dominates the scene. Ever present is the suggestion of death, regeneration and the symbolism to be found in the depths of semi-conscious states.

 

Chris Spuglio was born in 1976 in Boston, MA, where he currently lives and works. He received a BA in Fine Art from Salem University and is of German and Italian descent.


Artist Statement

I have been passionate about art from an early age. I am fascinated by life and death, and the transition between the stages of existence and non-existence, organic bodies in mid-transition as they break down and disappear reciprocating the growth process. I’m interested in the after effects of visual build-up and concentrate on the symbols and meanings of the hypnopompic images. Due to physical injuries earlier in life, I have taken an interest in organic growth, repair and decay. I try to show that all people, places and things will eventually expire and be returned to nature. For the last two years, I have been importing more and more textures into my work, allowing me to reach greater levels .Various impasto methods mean I can apply paint in a manner that best represents a surrealist eye. Through method and application, I create renditions I feel best represent the hypnopompic image.

Invitation to the exhibition | View the catalog page

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