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Agora Art Gallery – Contemporary Art Dealers

June 28, 2006 - July 19, 2006
Reception: Thursday, June 29, 2006, 6:00pm - 8:00pm

Gallery Location: 530 West 25th St, Chelsea, New York
Gallery Hours: Tues - Sat, 11am - 6pm

Tore Hogstvedt  Nikola Nikolic  Angela Perry  Melanie Prapopoulos  Jolanta Paterek  Karla Caprali  Zhang Ge  
Kenji Inoue  Levi Parsley  

Captured Impression

Tore Hogstvedt

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August Morning
"August Morning"

Early Morning
"Early Morning"

Nikola Nikolic

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LANDSCAPE I
"LANDSCAPE I"

LANDSCAPE II
"LANDSCAPE II"

Angela Perry

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Uninhibited
"Uninhibited"

Chrysanthemum
"Chrysanthemum"


Liberated Perspectives

Melanie Prapopoulos

Melanie PrapopoulosMelanie Prapopoulos

Melanie Prapopoulos' artwork has been influenced partly by dance, specifically how motion, light, as well as emotion, can alter perception and meaning. Embracing a variety of styles and compositional strategies, her work reveals recurring visual themes as it explores the tension between the structure of figurative art and the spontaneity of gestural, expressionist brushwork. The variation among aesthetic styles is vital to her paintings, and while her work is contemporary in its abstract, multilayered qualities, the strength of her paintings lies in her instinct for pushing beyond a safety zone, as she incorporates text, gold thread and other materials.

There is a holistic interaction between forms in Melanie's work, as the varying textures of her brushwork enhance the paint's effect on the canvas. She combines various thicknesses of paint to create the balance of layers as a reflection of the multifarious creative process. Melanie says that an artist is a guide; her provocative works invite us to follow her in intriguing directions.

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Journeys 12. Chaos Beyond Resurrection
"Journeys 12. Chaos Beyond Resurrection"

Journeys 7 - A Sudden Disturbance of Bubbles and Blossoms
"Journeys 7 - A Sudden Disturbance of Bubbles and Blossoms"


Symbiotic Texture

Jolanta Paterek

Jolanta PaterekJolanta Paterek

Jolanta Paterek's "Purification" is a fervent commentary on the transformation of the human body and spirit. To portray her vision, she randomly couples three pieces: a modified bathtub, a painting and a black box. Each of these pieces carries more than their literal use. The black box, for instance, has never really been seen as an artistic tool, but Paterek's psyche has led her to explore this piece of machinery. She symbolizes the black box as the mathematical or philosophical component of the process of purification. The use of the bathtub stretches beyond the idea of a container of water - it is the space where cleansing and transformation is taking place. The tub twists and re-emerges alongside the painting, and thus itself is transforming. Paterek takes her viewers on a cyclical journey. Purification can stir a negative or positive transformation. With each piece, the bathtub can appear distorted or repaired. The painting and the black box can reveal rebirth or transformation. With all the possible interpretations, the fusion of these three elements awakens a striking impression in its audience.

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A Woman a Man or a Human #5
"A Woman a Man or a Human #5"

A Woman a Man or a Human #11
"A Woman a Man or a Human #11"


The Matrix of Abstractions

Karla Caprali

Karla CapraliKarla Caprali

Brazilian painter Karla Caprali lets images rather than words convey her personal experiences. She takes a conceptual approach to her memories, perception, lust, and ideas about the human condition, exploiting the tension between darkness and light, color and line. Inspired by life and death, dreams and fear, religion and paganism, motherhood and daily routine, she achieves a startlingly contemporary, feminine vision of daily life and her past.

The sophistication of her intensely colored, thought-provoking, and moving paintings arises from an innate appreciation of duality. “There is no joy that tastes as sweet without the bitterness of sorrow,” she says, “and no passion that burns eternal without the cold steel hands of reality pulling it back to earth.” Her paintings may reflect symbolically a deep ambivalence about the joys and compromises that womanhood demands or encapsulate moments of empowerment. “Art for me is like a child lost in the wilderness, a ghost of life grasping for some roots to cling to

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Self Portrait
"Self Portrait"

Probation
"Probation"

Zhang Ge

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Boddha
"Boddha"

Butterfly
"Butterfly"

Kenji Inoue

Kenji InoueKenji Inoue

Creating volatile tableaus that straddle the line between surrealism and abstraction, Kenji Inoue's visual dynamos are a potpourri of forms, styles, themes and moods that appear to shriek from the depths of our collective subconscious. These artistic detonations defy thematic categorization, as Kenji explodes expectations as well as icons (sometimes literally), in order to yield his distinctive visions. Eruptive bursts of energy serve as Kenji's visual theme, turning even the most benign of nature's processes into its own Big Bang. Alternate personas, rips in consciousness and archetypal mental processes are often manifest as mutating serpentine entities, engaging in titanic alterations or stratospheric battles. Kenji's work is not all fantasy, however, as his choice of using the form of the explosive burst has its organic parallel in natural processes here on earth, from crystals to flowers to tree limbs.

This dialogue about explosions and destruction, as well as psychological and aesthetic transformation, contributes to the visceral complexity one feels experiencing Kenji Inoue's otherworldly paintings.  

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Oriental Kiss
"Oriental Kiss"

Rock'n'Roll Monsters
"Rock'n'Roll Monsters"

Levi Parsley

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Theater of the Campground
"Theater of the Campground"

The Various Endorsement
"The Various Endorsement"

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