February 5 - 26, 2008
Reception: Thursday, February 07, 2008, 6:00pm - 8:00pm

Gallery Location: 530 West 25th St, Chelsea, New York
Gallery Hours: Tues - Sat, 11am - 6pm

Pierre Fava  Jasnica Klara Matić  Tim Stensland  Carlos Torres  Nic Vincent  Jia Ming Wang  Elie Bou Zeidan  
K L Campbell  Efrain Cruz  Thierry Fazian  Patrice Goubeau  Timo Hanley  Taras Borovyk  Sophie Hieronimy  
Lee Hutton  Daniela Vasileva  

Enigmatic Visions

With potent abstractions, Enigmatic Visions explores the possibilities beyond our ordinary perception, keying into personal insights, metaphysical concepts, and timeless mysteries. Such unique forms of visual communication requires that viewers interact with the artwork to discover its message, while the breadth of ideas and personalities assures an exciting foray into the contemporary art scene.

Pierre Fava

Self-taught, French artist Pierre Fava explores the dialectic of materiality and immateriality in his bold paintings. Neither entirely abstract nor fully conceptual, Fava’s work draws inspiration from both art historical traditions. His paintings have formal affinities with those of European Informel artists such as Pierre Soulages and American Abstract Expressionists like Franz Kline; and have their ancestry in the kind of work made famous by Jean-Paul Riopelle.

Fava’s compellingly powerful paintings focus on the material of paint itself and the light that reflects off the surface of the canvas. Although some of the artist’s works are seemingly devoid of content, others reference both the gesture of the artist’s hand and the iconography of death and disease. Many paintings, even those that incorporate color, center on the color black with all its attendant symbolic meanings and metaphorical connotations. Born to Corsican parents in 1979 in Toulon, France, Fava left his family to follow his own path, eventually leading him to his current residence in Marseille.

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"Virus 3"


"Dead Line"

Jasnica Klara Matić

Jasnica Klara Matić’s mixed media work is a bevy of twinned representations. Her compositions are organic both in the way her subjects seem to grow from and out from the canvas, and in their metaphorical significance.  We see her subjects bound up intrinsically with the earth and it’s processes; shapes seem to split away from each other like mitosis, what seems like one thing slides easily around the viewers eye and mind to become something more biological and elemental. These formidable themes and questions- birth and death, the inherent impermanence of our reality, and the spiritual kinesis of human beings in relation to the earth and the elements- are balanced with a lovely and light palette that gives one the feeling of serenity. Her work is heavily textured using materials such as incense, wax, salt, and herbs traditionally used in healing practices. 

Jasnica has spent more than fifteen years exploring different aspects of spirituality. She uses painting as a means of healing and reconciling the mind and body

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"In front of the Door"


"The Adriatic Sea People"

Tim Stensland

The paintings of Tim Stensland reject the notion of art as mere decoration. He bravely explores his insights into the human condition, particularly the oft-forgotten under classes of society. His most recent paintings explore the chaos and personal devastation that followed Hurricane Katrina as people's lives were swept away in the murky floodwaters. Stylistically and thematically his paintings evoke the great tradition of socially conscious artists such as Jacob Lawrence and Romare Bearden.  Additionally, it is Stensland's thirty-year love affair with music particularily the saxophone that has also had an effect on his art, its influences are found in the rhythm and improvisation of each painting.

Fascinated by art at an early age, Tim sold his first piece at age 12 and began working in the field of Architectural Design at the age of 16. He went on to study at Washington State University before embarking on a career in his own architectural firm. Remarkably, Tim Stensland also teaches and has even published a children's book. He lives and works in Washington State.

 

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"In the Perish"


"MV Katrina"

Carlos Torres

Venezuelan painter Carlos Torres' large works are generally dominated by one or two colors that fade into each other, conveying a kind of organic balance. His titles refer to broad human emotions and states of being that can scarcely be defined, but might be evoked through painting. Inspected more closely, however, many of his artworks reveal themselves to be fragmented by ridges, gouges and cracks in their acrylic surfaces.

Initially, Torres' paintings pretend to capture the essence of emotions through abstract composition. However, he points out the impossibility of defining, categorizing and containing human emotions within an artwork by undermining the unity of his canvases with creases and fractures. This expresses the elusiveness of human subjectivity: the irrational elements of our behavior that dwell just out of sight in the cracks and fissures of consciousness. Torres reveals his intelligence and maturity by teasing our desire to define human psychology with his calm compositions, then revealing our disjointed psyches through the valleys and folds that crisscross his canvases.

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"Founded"


"Forgiveness"

Nic Vincent

Nic Vincent's mixed-use artworks create a tension between abstraction and representation with countless intriguing results. Many of his creations place simple identifiable icons in much larger areas of rumpled, torn, dripping and shredded materials. These larger and more violent surfaces serve alternately as foreground and background, and in some cases seem to run or drip over the small iconic images. In the tensions between his simple icons and expansive abstract surfaces, Vincent stages our impulse to create something meaningful and recognizable where there is only strangeness and disorder. In this light his miniature symbols dwarfed by the abstract regions surrounding them represent our desire to impose rationality and order on something much bigger than us that is governed by randomness.

However, our unwillingness to commit wholeheartedly to these meanings or any others is precisely what makes Vincent's work so interesting and intelligent. Showing that our habit of rationalizing the world is at once instinctual and futile, Vincent engages and cultivates that habit all the same

 

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"Graves"


"Crimes"

Jia Ming Wang

Chinese painter, Jia Ming Wang, uses a dramatic sense of color and dynamic, fantastical shapes to create an imaginary landscape characteristic of Surrealism.  In his oil paintings, Wang seeks to translate the endless power of dreams and the human imagination to the canvas with his well-conceived and carefully balanced shapes and colors.  His works both delight and mystify the senses with their combination of simple formal arrangement and complexly hued gestural shapes.

After experimenting with painting a number of subjects in a variety of styles, including naturalistic wildlife, landscapes, and cityscapes, Jia Ming Wang found his mature creative style in Surrealist-influenced painting.  Wang is a past winner of the Asia Modern Art competition and has completed commissions for the United Nations.  He has exhibited his work at numerous international fine art shows and galleries in the US and Asia.  Although born in Dailan, China and educated in Japan, Jia Ming Wang currently lives and works in Queens, NY.

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"Escape"


"Couple"


The Allegory of Form

The Allegory of Form is a vibrant collection of artists who defy convenient classification. Through intuition and personal expression these artists have developed unique voices with which to speak to and about the world at large. Audiences will be delighted as they dive into the imaginative paintings created by this selection of visionary artists.

Elie Bou Zeidan

Elie Bou Zeidan renders striking naturalistic paintings, capturing simple moments and sensual revelations in every stroke. A classical painter throughout, his works ignite the deepest visceral longing for aesthetic release. He meditates on the human lust for beauty in pictures which capture the light and effortlessness of allure and attraction. As Kahlil Gibran astutely observed, "Art arises when the secret vision of the artist and the manifestation of nature agree to find new shapes." Indeed Bou Zeidan uses deft technical facility to conjure the textures and luminance of naturalistic subjects in each of his varied works. The classicism of his works suggests a strong influence from classical French art, as his meticulous renderings reveal a "unique ability to blend European style with the ambiance of the Orient." Working in alternatively lively and muted color palettes, Bou Zeidan vacillates mediums from oil on linen canvas, to oil on wood, to pastels or even Chinese ink. In his paintings he confirms the timeless aphorism, "art completes what nature cannot bring to a finish."

A master of still-lives, landscapes, and nudes, Bou Zeidan descends from Ablah, Lebanon, where he began painting at a very early age. After he fled Lebanon to escape the turmoil of civil war, he moved to France, and currently lives and works in Paris. His work is widely collected in Europe and the United States.


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"Winter at Home"


"Maple Days"

K L Campbell

With tremendous energy and remarkable vision, K L Campbell paints stunning voyages into the imagination. Her work presents unexpected combinations—lines, images, colors—that startle the reader and breathe new life into familiar images. As she states, “I work towards redefining the meaning of ‘beauty’, which is quite narrowed and skewed in this country. I believe that many of our experiences and what we see and how we feel on an everyday basis is ‘beautiful,’ so it’s a shift in awareness, perception and interpretation that I seek to accomplish with the work.” Campbell indeed challenges the viewer’s preconceived notions about the Beautiful—and yet, she never strays so far as to fail to engage her viewer’s mind and emotion. Her flair for texture and juxtaposition is evident in all her works, as is her feeling for stilled energy and suppressed emotion.

K L Campbell has exhibited her work internationally and has been commissioned by several private collectors. Originally from New York, she currently resides in Brooklyn. 
  

  

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"Attachment"


"Renacimiento"

Efrain Cruz

Applying wild colors with fervent brushwork, Efrain Cruz paints with an intensity well beyond the norm. Soaked with spirituality, deep-rooted history and self-exploration, Cruz pours all of himself into each piece, while remaining a modest and soft-spoken individual. “I paint of my people and from my people, my family, my friends, and God because He is special and they believe in me,” says Cruz. “My life in Mexico gave a brilliant stimulation to a life of painting.”

He works from a procession of journal entries that capture his memories and inventive imagery as they flow from within. Fantastic characters of joyous couples, religious iconography and guitar players dwell in this imaginative world. Cruz’s influences have been his hometown of Veracruz, Mexico and his mother. She has been a powerful force in his art, the memory of her gracious and warm nature urging him to experience each moment completely. Cruz currently lives and works in Valdosta, Georgia.

 

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"Maria"


"Pedro Navaja"

Thierry Fazian

Thierry Fazian's paintings erupt with fantastic visual imagery from his subconscious mind to epitomize the art of Surrealist creation. With influences ranging from Salvador Dali to Max Ernst, Fazian is a master draftsman with a deep spiritual core. His figures and tropes emerge from pure psychic automatism and investigate the birth of humanity and the phenomenon of psychic passion at every viewing. In speaking on his work, Fazian is the first to say, "nothing comes from nothing," and the complexity of his work is paralleled to the complexity of his cultural roots. He comes from Guadeloupe in the French West Indies, and considers himself to be an embodiment of the intersection of several civilizations, namely Europe, Africa, America, Eastern Asia, India, Indian American, and Caribbean.

His vision and work are nourished as much by contemporary French culture as they are by the crossroad of civilizations that is the Caribbean. The result is an exuberant and complex set of works positing questions without answers and answers without reason, exuberant and cerebral to their core.

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"Circles of Visible and Invisible"


"Gaïa's Twins"

Patrice Goubeau

The divinely individualistic paintings of Patrice Goubeau entice the eye and excite the mind. His works, which usually feature an inquisitive protagonist, are ripe with symbolic imagery, vivid colors, and a surrealist mode of composition. His investigations of meditation, time, mortality, and transcendence have contributed to the mystical nature of Patrice’s work.

"I like to share my perceptions of the world," he states, "resulting of the close interactions existing between the past, the present and the future." Each painting serves as point of departure for Patrice’s audience, a philosophical marker to engender contemplation on the human condition. Patrice began exhibiting his work around France in 1986, gaining momentum in salons, galleries, and private collections in Italy, Canada, and recently, New York. He has been awarded the Grand Prize award from the Salon des Artistes Français and recognized for his achievements at the Brancusi Cultural Center in Montreal. Patrice lives and works in Canada.

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"The Secret"


"The Star"

Timo Hanley

Timo Hanley's paintings emerge out of a conflux of influences as varied as classical art, cutting-edge film, revolutionary street art and legendary samurai. This incredible range makes his paintings just as accessible as the genres that mark their roots.  The works expose an artist who strives to create works that are socio-politically relevant, even as they raise the bar for anti-establishment messaging. They bear the marks of conflicting subcultures, even as they maintain an urban cool/street chic that is now increasingly part of popular culture. In fact, they tell the story of how and why street art has made its way into the fine art realm.

Brazen with street smarts and colored by urban hip, Hanley's art melts the aesthetic cultures of Skateboarding, Punk Rock, Hip Hop and Reggae into a new visual language. In bridging together "high" and "low" art, Hanley "embraces conceptual studies of composition, shapes, color, metaphors, the human condition, pop symbols and icons. These elements are all intertwined to engage the viewer in a manner, which evokes a reflective contemplation." Timo Hanley has studied at the Rhode Island School of Design and holds a BFA from the Syracuse School of Visual and Performing Arts. He has also studied Buddhist Art at the Chicago Art Institute

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"Hamster Wheel Halo"