The Allegory of Form The Allegory of Form is a vibrant collection of artists who defy convenient classification. Through intuition and personal expression these artists have developed unique voices with which to speak to and about the world at large. Audiences will be delighted as they dive into the imaginative paintings created by this selection of visionary artists.
|
Elie Bou Zeidan

|
Elie Bou Zeidan renders striking naturalistic paintings, capturing simple moments and sensual revelations in every stroke. A classical painter throughout, his works ignite the deepest visceral longing for aesthetic release. He meditates on the human lust for beauty in pictures which capture the light and effortlessness of allure and attraction. As Kahlil Gibran astutely observed, "Art arises when the secret vision of the artist and the manifestation of nature agree to find new shapes." Indeed Bou Zeidan uses deft technical facility to conjure the textures and luminance of naturalistic subjects in each of his varied works. The classicism of his works suggests a strong influence from classical French art, as his meticulous renderings reveal a "unique ability to blend European style with the ambiance of the Orient." Working in alternatively lively and muted color palettes, Bou Zeidan vacillates mediums from oil on linen canvas, to oil on wood, to pastels or even Chinese ink. In his paintings he confirms the timeless aphorism, "art completes what nature cannot bring to a finish."
A master of still-lives, landscapes, and nudes, Bou Zeidan descends from Ablah, Lebanon, where he began painting at a very early age. After he fled Lebanon to escape the turmoil of civil war, he moved to France, and currently lives and works in Paris. His work is widely collected in Europe and the United States.
|
|
click to enlarge
|
|
"Winter at Home"
|
|
"Maple Days"
|
|
|
|
K L Campbell

|
With tremendous energy and remarkable vision, K L Campbell paints stunning voyages into the imagination. Her work presents unexpected combinations—lines, images, colors—that startle the reader and breathe new life into familiar images. As she states, “I work towards redefining the meaning of ‘beauty’, which is quite narrowed and skewed in this country. I believe that many of our experiences and what we see and how we feel on an everyday basis is ‘beautiful,’ so it’s a shift in awareness, perception and interpretation that I seek to accomplish with the work.” Campbell indeed challenges the viewer’s preconceived notions about the Beautiful—and yet, she never strays so far as to fail to engage her viewer’s mind and emotion. Her flair for texture and juxtaposition is evident in all her works, as is her feeling for stilled energy and suppressed emotion.
K L Campbell has exhibited her work internationally and has been commissioned by several private collectors. Originally from New York, she currently resides in Brooklyn. |
|
click to enlarge
|
|
"Attachment"
|
|
"Renacimiento"
|
|
|
|
Efrain Cruz

|
Applying wild colors with fervent brushwork, Efrain Cruz paints with an intensity well beyond the norm. Soaked with spirituality, deep-rooted history and self-exploration, Cruz pours all of himself into each piece, while remaining a modest and soft-spoken individual. “I paint of my people and from my people, my family, my friends, and God because He is special and they believe in me,” says Cruz. “My life in Mexico gave a brilliant stimulation to a life of painting.”
He works from a procession of journal entries that capture his memories and inventive imagery as they flow from within. Fantastic characters of joyous couples, religious iconography and guitar players dwell in this imaginative world. Cruz’s influences have been his hometown of Veracruz, Mexico and his mother. She has been a powerful force in his art, the memory of her gracious and warm nature urging him to experience each moment completely. Cruz currently lives and works in Valdosta, Georgia.
|
|
click to enlarge
|
|
"Maria"
|
|
"Pedro Navaja"
|
|
|
|
Thierry Fazian

|
Thierry Fazian's paintings erupt with fantastic visual imagery from his subconscious mind to epitomize the art of Surrealist creation. With influences ranging from Salvador Dali to Max Ernst, Fazian is a master draftsman with a deep spiritual core. His figures and tropes emerge from pure psychic automatism and investigate the birth of humanity and the phenomenon of psychic passion at every viewing. In speaking on his work, Fazian is the first to say, "nothing comes from nothing," and the complexity of his work is paralleled to the complexity of his cultural roots. He comes from Guadeloupe in the French West Indies, and considers himself to be an embodiment of the intersection of several civilizations, namely Europe, Africa, America, Eastern Asia, India, Indian American, and Caribbean.
His vision and work are nourished as much by contemporary French culture as they are by the crossroad of civilizations that is the Caribbean. The result is an exuberant and complex set of works positing questions without answers and answers without reason, exuberant and cerebral to their core.
|
|
click to enlarge
|
|
"Circles of Visible and Invisible"
|
|
"Gaïa's Twins"
|
|
|
|
Patrice Goubeau

|
The divinely individualistic paintings of Patrice Goubeau entice the eye and excite the mind. His works, which usually feature an inquisitive protagonist, are ripe with symbolic imagery, vivid colors, and a surrealist mode of composition. His investigations of meditation, time, mortality, and transcendence have contributed to the mystical nature of Patrice’s work.
"I like to share my perceptions of the world," he states, "resulting of the close interactions existing between the past, the present and the future." Each painting serves as point of departure for Patrice’s audience, a philosophical marker to engender contemplation on the human condition. Patrice began exhibiting his work around France in 1986, gaining momentum in salons, galleries, and private collections in Italy, Canada, and recently, New York. He has been awarded the Grand Prize award from the Salon des Artistes Français and recognized for his achievements at the Brancusi Cultural Center in Montreal. Patrice lives and works in Canada. |
|
click to enlarge
|
|
"The Secret"
|
|
"The Star"
|
|
|
|
Timo Hanley

|
Timo Hanley's paintings emerge out of a conflux of influences as varied as classical art, cutting-edge film, revolutionary street art and legendary samurai. This incredible range makes his paintings just as accessible as the genres that mark their roots. The works expose an artist who strives to create works that are socio-politically relevant, even as they raise the bar for anti-establishment messaging. They bear the marks of conflicting subcultures, even as they maintain an urban cool/street chic that is now increasingly part of popular culture. In fact, they tell the story of how and why street art has made its way into the fine art realm.
Brazen with street smarts and colored by urban hip, Hanley's art melts the aesthetic cultures of Skateboarding, Punk Rock, Hip Hop and Reggae into a new visual language. In bridging together "high" and "low" art, Hanley "embraces conceptual studies of composition, shapes, color, metaphors, the human condition, pop symbols and icons. These elements are all intertwined to engage the viewer in a manner, which evokes a reflective contemplation." Timo Hanley has studied at the Rhode Island School of Design and holds a BFA from the Syracuse School of Visual and Performing Arts. He has also studied Buddhist Art at the Chicago Art Institute |
|
click to enlarge
|
|
"Hamster Wheel Halo"
|
|
| | | |