Collective Exhibition

March 21, 2009 - April 10, 2009

Reception: Thursday, March 26, 2009, 6:00pm - 8:00pm

Gallery Location: 530 West 25th St, Chelsea, New York
Gallery Hours: Tues - Sat, 11am - 6pm

Anne Marble Caramanico  Diana Un-Jin Cho  Shaun Johnson  H. Jinny Jung  Pat Kagan  Marty Maehr  Anne Manley
Ryan  Mark Ward  Alkistis Wechsler  Lizzy Forrester  Ajna Gábriel  Sergio Gotti  Pamela Moore
Natasha Rosenbaum  Alison Street  Tiina van de Korput  Nikki Wheeler  Michael Berger  Kazem Heydari  Ana Laura Mena
Sandra Mueller-Dick  Mufak Naoroz  Robert Ransom  Monte Shelton  Jackie Thiaudiere

Quintessential Color

Contemporary visual art that is both eye-catching and emotionally stirring, consisting of panels resonating the seasons of nature and tides of personal emotion, are the components of this sophisticated collective exhibition. The quirky fusions of brilliant hues and energizing flow of light in spatial associations evoke joyful effervescence in abstract contexts. They are contrasted by the finesse of organic painting with its simplicity, comfort and ethereal gentility in subtly tinted landscapes. The outstanding endowment of these contemporary artists in the deft use of color repeatedly conveys conceptual flair and perceptive artistry that honors their authenticity and skill

Anne Marble Caramanico

Artist Page

Anne Caramanico intimately understands the natural world. An environmental biologist as well as a painter, she approaches art as a listener and an observer. Her textured, organic paintings evidence her attention to nature, expressing the ethereality and kinesthesia of the world around us. Caramanico marries her scientific understanding with intuition, resulting in paintings that imbue the actuality of nature with a sense of transcendent meaning. Not only do rotund bodies of forms reference living organisms; they reference community and vitality as well as the intangibles that shape people’s lives. Passage, whirring, stillness, silence, reverberation—all of these emerge in Caramanico’s handling of paint and color and her paintings ultimately embody the experience of living as a natural body in a natural world.

Anne Caramanico seeks to seamlessly merge science, art and nature. Her experiences studying environments in Cambodia, Mexico, Canada and the United States have shaped her approach to art-making. She currently lives in Pennsylvania and has exhibited nationally.

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"Las Girasoles (diptych)"

"Chapultepec"

Diana Un-Jin Cho

Artist Page

Korean-Canadian artist Diana Un-Jin Cho's colorful and exuberant paper collages guide viewers' eyes to an effervescent tune. The rhythmic juxtapositions of hues and forms recall late Mondrian canvases, evoking a kind of musical patchwork, an aural quilt. Small cut-out geometries of color – complimentary interlocking yellow, red and purple squares, starkly contrasted green and pink quadrangles – make every piece into a series of emotive rises and plunges, with multiple routes and trajectories leading viewers across each collage.

Beyond their musical resonances, Un-Jin's quilted patterns express a personal journey that bares the influences of multiple experiences and histories. Spending her childhood in Korea then immigrating to Canada, her art is an attempted reconciliation of two dramatically different aesthetic traditions, one of which has a particularly rich textile tradition (Un-Jin cites the influence of fourteenth century Chogakbo quilting in Korea). Her art – like her personal history – is a sometimes harmonious, sometimes disjointed assemblage of emotive forms and colors evoking these rich sources and varied experiences.

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"Chogak Colour 5"

"Chogak Colour 6"

Shaun Johnson

Artist Page

With painterly brushwork reminiscent of van Gogh's still-lifes, Shaun Johnson's vivid pastoral landscapes and coastal scenes are dispatches from a deeply felt and personal vision of the world. Interdependence among the natural elements is strong in Shaun's works, as a curve of country road tucks into surrounding hills, a roiling sea is framed by the distant hills which visually echo the play of light on the water, and farm animals graze with the same passionate brushwork as his clouds, hills and sea. The philosophy behind Shaun's work conveys a faith in a sense of order to the universe. His use of color enhances this holistic view of the world as the colors transition seamlessly among the wide spaces he presents to us. His portraits of families and interior still-lifes also convey the simplicity, yet undeniable power of familial and domestic bonds.

Shaun Johnson has skillfully evoked his love and respect of all of creation in these portraits of a powerfully conveyed sense of beauty.

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"Ring of Kerry - Slea Head"

"Cows Near Lough Gur"

H. Jinny Jung

Artist Page

Korean artist H. Jinny Jung uses color, shape and line to create fluid layers evocative of the traces that moving points of light make in long photographic exposures and rippling, diaphanous surfaces. Her paintings are vibrant explorations of the psychology of the inner mind. Jung states, “My work does not attempt to describe something, but rather to give expression to inner feeling.” Thus, her body of work is largely unified, since it is an attempt to lay bare one individual’s inner landscape. That consistent interiority, though, in no way mitigates the application of exterior craft, as her abstract oils are anything but random applications of paint to canvas. Each color is carefully chosen for its ability to join with its mates in lines and fields, drips and washes that cohere to give each canvas an artistic unity. Jung’s works are full of an almost life-sustaining energy.

Born in Seoul, Korea, she attended the Ewha Womans University in Seoul, and the Academy of Art University in San Francisco. H. Jinny Jung currently resides in San Anselmo, CA.

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"Floating in the Night Sky"

"Pond"

Pat Kagan

Artist Page

Trained in music before dedicating her life to visual art, Pat Kagan’s oil and watercolor paintings remain undeniably rhythmic. Lines and colors skip and swirl through her compositions in dizzying gestures that recall the abstract expressionist style of Kandinsky. Finely tuned attention to light and color testifies to Kagan’s childhood in South Africa, its strong sun and bold blue sky. Now living outside Washington DC, her work has evolved dramatically from portraits initially, and then colorful compositions with certain figurative features, into a lively play of abstract forms in black, white and red.

As stark lines swivel, flatten and broaden into thick strips, Kagan creates an impression of visual music, offering a virtuoso rendering of movement, finesse and energy. In earlier works grounded by figurative forms, a variety of strong colors contributes to this sense of musical energy, reaffirming dynamics of movement and tempo conveyed by Kagan’s linear arrangements. Whether painting actions or creating action paintings, her work brings an enveloping, ebullient creative energy to elegant and sensuous forms.

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"African Connections"

"Fabric Landscape 3"

Marty Maehr

Artist Page

My artwork is an evolving idea that I am trying to stay in time with. I'm hard pressed to explain, but it feels like a light force that wants to manifest itself through color. The black lines that I use in my paintings provide a matrix which is able to receive light. Although my individual experience and expression is unique, my guess is that light (and the color spectrum that springs from it) is something common to all.

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"Fertile Valley Birds"

"Small Blue Stream"

Anne Manley

Artist Page

Anne Manley's evocations of the creative heart of nature straddle the line between an immersion in the dramatic beauty of the universe, abstract explorations of color and the emotions her palette inspires. With skilled and delicate brushwork she uses colors ranging from sea-green to fiery red and cobalt blue, as well as white-hot tones to create the suggestion of an inner luminosity emanating from her vortices. She also experiments with canvas size to explore possibilities of space and tonal intensity, as she conveys the confluence of opposing yet interdependent forces of nature where air, water and land influence and are influenced by each other. Often, these are portraits of a dramatic force of sunlit vapors intruding upon a darker space, yet Anne avoids obvious ripple effects and her tones never lapse into muddiness.

This sure and confident brushwork, as well as the beauty that she has chosen to convey, characterize Anne Manley's sensitive and daring works.

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"Untitled 1"

"The Clearing"

Ryan

Ryan

Artist Page

Ryan draws on his vast experiences as a set designer, video artist and gallery director to create works that overwhelm perspective and space with colorful, kinetic grandeur. His vibrant colors and boisterous lines evoke the vital energy of Wassily Kandinsky and Raoul Duffy tied together with a hint of Cubism’s spatial organization. Meanwhile, Ryan’s trademark curvilinear forms and sensitive use of patterns and repetition give his works a remarkably unique aesthetic. Isolated details like eyes and silhouettes give viewers pause but are quickly re-incorporated into a flowing landscape of interlocked shapes and a latticework of movements.

With these large scale multilayered paintings that are simultaneously delicate and measured, Ryan offers constant change and limitless possibility. His art intimates optimism and energy, relishing bold surfaces before reducing them to backdrops for some new form. This playful approach to palette and perspective creates an inventive, exciting viewing experience from which new forms constantly emerge and new patterns appear. Ryan is a Taiwanese painter he currently resides in Queens, New York.

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"Order"

"Think About"

Mark Ward

Artist Page

Painting is my way of dreaming myself elsewhere. In my Suffolk, England studio, I create dramas of exotic lands that take place on homemade stages, representing places I have been or even journeys I have yet to travel. The life of the forest, swamp and savannah is played out by creatures made of paper, plastic and string, as consciously posed and lit as any actor.

I am creating happy stories, deliberately comfortable, so obviously artificial. There is no blood, no death, and even the elephant dung is colourful and shiny. These are worlds created thousands of miles from the jungle, but a million miles from the wild!

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"Bugs and Squiggles"

"Blue Agaric"

Alkistis Wechsler

Artist Page

Alkistis Wechsler paints in a photographic, figurative style interpreted through a surreal collage mannerism to produce personal myths that verge on Abstraction. She delves into the subconscious to explore and express the unknown self through handmade images. Using an emotive color palette and a variety of blurring and smearing techniques, Wechsler interprets nature's four elements and the ritual significance of the four seasons, which form the basis of her works. Additionally, her background as a trained architect comes through in the works, which reveal a close attention to spatial relationships and compositions. The works manifest an urban sense of space and theatrical sense of atmosphere, regardless of whether she is picturing human dramas or producing a collage of psychical associations. Nonetheless, Wechsler maintains a sense of irony and humor in her works, balancing the drama with a pop-art sensibility.

Alkistis Wechsler is of Austrian nationality, though she was born in Athens, Greece, and today resides in London, UK. Her works have been shown in galleries, Art Centers and museums in Vienna, Austria as well as throughout Europe, and can be found in numerous private collections on the continent.

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"In the Forest"

"Playground"

Sensorial Realities

Open composition uniting Impressionistic brush strokes and elements of candid Naturalism converge in an exhibition of contemporary visual art that slips into the senses and gives birth to a welling-up of emotion. These daring and deeply committed artists masterfully exploit unusual visual angles, provocative portraiture and light in its changing qualities to reveal beauty, be it in mundane objects or beloved landscapes. The presence of the sheer force of nature, in wildlife skillfully superimposed on a palette of abstract color or pastoral scenes infused with the momentary and transient effects of sunlight are the expression of expertise in the manipulation of pigment and texture, but above all of fine-tuned cultural sensitivity and awareness.

Lizzy Forrester

Artist Page

Working in oils and acrylics, Lizzy Forrester’s landscapes are characterized by a timelessness of place, capturing the marked endurance and beauty inherent in nature. Her creativity was set free by her adoption of Buddhist philosophy and spirituality, which has infused her with the wisdom and peace that permeate her work. Colors are harmonic and serene, rich in hue and yet subtle in tone, and the interplay of light and shadow gives the images an Impressionist feel. Composition brings a balance to her work that’s almost ethereal, but her choice of subject keeps the images firmly grounded on Earth. Although rhythm and movement create a flowing energy in the paintings, its motions are subdued, recalling the poignant tones of the classical music she uses as a springboard for her art.

Living and working on the Balearic Islands off the coast of Spain, Forrester’s art has recently taken a poetic turn, as she has begun exploring the connection between prose and art, seeking to transcend the “barriers” inherent in words and language.

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"Patio, Mallorca"

"Arrival of Spring"

Ajna Gábriel

Artist Page

The subtle complexities of everyday objects and glances – some pensive, others violent – gradually emerge from Hungarian artist Ajna Gábriel's paintings. Crafting a distinctive style with elements of pop art, expressionism, surrealism and Kazimir Malevich's Suprematism, she uses heavy lines and strong colors to portray still-lifes, portraits and landscapes. Her nuanced aesthetic simultaneously confronts viewers and confides in us. This mix of force and vulnerability makes Gábriel's works especially rewarding to engage with, as they inevitably reveal so much more than what we first see.

In portraits, subjects strike poses that are alternately defiant or timid, but their gazes consistently suggest opposite demeanors. Gábriel reveals her characters through their eyes. Her still-lifes present guns and the innards of home electronics like radios with stylized, matter-of-fact irony. Her unifying sensibility is in representing difficult objects with soft, humorous edges, and, conversely, finding pride and inner strength in sensitive and exposed subjects. By finding humor in hardship and investing honesty with power, Gábriel teaches us to see differently.

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"É. Kinga"

"Dotted Shoes"

Sergio Gotti

Artist Page

Although he was born in Italy, Sergio Gotti paints at times with an Asian flair. His color combinations of deep red and rich gold, for example, take the viewer on a journey to the beauty of the Far East. Furthermore, his landscapes and abstract designs share the quality of balance found in feng shui. Still, other works have the more romantic feel of Italian art. His works are rife with graceful movement and the idealization of the human form that hearkens back to the days of the Renaissance.

Influenced by his studies of anthropology and paleontology, Gotti seamlessly blends cultures. When painting an animal from the West’s horoscope, he does so in an Eastern style that recalls the Chinese zodiac, as if to show the similarities between the cultures. Likewise when he paints a portrait of a North African nomad, the flowing ripples in the Tuareg’s clothes call to mind the naturalism found in the cloths carved by Michelangelo in his Pieta. In his quest to connect man to earth, Gotti ties cultures together.

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"Il Bacio"

"Il Trionfo"

Pamela Moore

Artist Page

Influenced by her travels as well as her rural childhood, Pamela Moore's paintings are poetic expressions of her experience of nature and her investigations into paint's evocative and thematic qualities. With a sensitive attention to composition that is subtle yet powerful, the most consistent aesthetic theme in these works is the organic balance between the exuberant brushwork and the control of the overall pictorial layout. Color saturates Pam's scenes, whether they are of lush jungles, distant mountaintops or brisk waves of wind caught in outlying blue and white clouds. These colors swirl about the canvas and often surround her subjects in urgent and tumultuous strokes of expressionist color that can at times suggest turmoil. Yet the view of nature which Pam channels and expresses in her artwork is not a despairing indictment. The artistic and philosophical concerns of these passionate works focus on the grandeur of nature, as well as the place of human beings within that grandeur.

Pamela Moore was born in New York but currently resides in Bozeman, Montana, USA.

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"Russian Style Landscape"

"Young Monks"

Natasha Rosenbaum

Artist Page

The tension in Natasha Rosenbaum's paintings is driven by her complex brushwork as it both reveals and conceals her subjects, who are frequently nudes or personal portraits. At times appearing enthralled by the painterly strokes which created them, her subjects can frequently be found in pools of fading gold or silver light, with luminosity playing off a patch of skin or on bent limbs. This strong presence of reflected light appears regularly in Natasha’s work, including her more impressionistic landscapes and still-lifes, whether the light is caught in turbulent water or enmeshed in flower petals.

Natasha has called her works "explosive cocktails," and whether working in oil, gouache, or charcoal, a daring mix of details and elision dominates her work, yielding a soft-edged fragmentation. Natasha Rosenbaum translates her private fluctuation of feelings in the moment of creation through her subject to the viewer, with ecstasy intact. Her paintings exist in their own worlds, yet we know these moments, and in viewing them we are revealed.

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"Olga Fedori, Actress"

"Nevertheless"

Alison Street

Artist Page

Journey into the wilds of imagination with self-taught artist, Alison Street as she paints vivid, magical works of the wildlife and surroundings of her home in Africa. Brilliantly colored birds, grazing zebras and mighty elephants emerge from sensitively rendered scenes from the bush or stylized abstract backgrounds. When she combines her exceedingly realistic style with swaths of textured color it produces an energetic and illusory quality to her paintings. Working with watercolor and mixed media on paper, Street’s brushwork is daring and direct, able to render impeccably or to set loose upon the paper in luscious creative freedom.

Born in the United Kingdom, but relocated to Africa in her childhood, Street’s work explores her world through eyes of innocent wonder. “Living in Africa is inspiring in itself, this is the most diverse continent,” she says. ”The colors and the wildlife are breathtaking.” Street has had numerous exhibitions in Africa, and her work is being collected in Europe and the United States. She lives and works in Zambia.

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"Moonlight Serenade"

"Constant Companions"

Tiina van de Korput

Artist Page

Tiina van de Korput draws inspiration for her paintings from nature and the light of the sun as it falls upon the lands of her various travel destinations. She conjures luminous landscapes and images of wildlife, often connecting the viewer to the animal subjects through their gaze to draw them deeper into painting its special environment. Tiina van de Korput works hard to maintain a balance between her sources of inspiration, and between realistic and abstract techniques.

Born in Finland and based in the Netherlands, she uses "Nordic" shades of blues and greens to create a stylized color palette, to which she then adds influences from Asia and the tropics, bringing in warm oranges and golds. Then, through a tempered effect produced by layering paint gradually, she masters a depth that draws the viewer deeper into the work. Finally, she adds a play with texture to illuminate the contrasts that intrigue her: "the harmony or clash of colors, dark or light, rough or smooth, objects en masse or in detail, etc." The result is a body of subtly explorative and wonderfully atmospheric paintings that bring the very light of their subjects to the viewer- and this is where the journey begins.

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"Mutual Attraction II"

"New Beginnings II"

Nikki Wheeler

Artist Page

In dreamy seaside and pastoral landscapes, British painter and drawer Nikki Wheeler evokes idyllic places and people magically preserved on canvas. Her gentle, impressionistic application provokes a windswept nostalgia, visions of places on the edge of time preserved by little more than collective memory. Wheeler's iconography juxtaposes modest markings of civilization with the sweeping enormity of the British coast's natural landscape. Her seaside visions, village scenes and fishing narratives are rendered in a sober – melancholic, even – palette dominated by blues and greens, with bursts of yellows, reds and oranges where the coast and countryside meet.

The self-taught painter nestles stout coastal architecture, town activities and naval structures between massive, billowing skies, frothing seas and shimmering grasses. Wheeler's work thereby evokes lives lived more in tune with nature, moving at the rhythm of the seasons, in time to the rolling waves of the bountiful sea. These visions function nearly as an escape from our modern crises, but ultimately reveal how much is at stake.

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"November Skies, Salcombe"

"Autumn, Kingsdown"

Spatial Articulation

Revealing the true dimensions of their personal intentions in a fabulous collection of contemporary fine art, the panel of visual artists in this unique exhibition makes use of space and color, combined with a remarkable concern for detail and admirable aesthetic to produce artwork that is, in its diversity, deeply inspiring, eerily moving or spiritually comforting. Sublime perceptions of the universe, wondrous paradoxes of nature and of the human condition, powerful visions of phenomenal landscapes and gentle, figurative Cubism magically co-exist in an atmosphere of artistic excellence and elegance.

Michael Berger

Artist Page

Past field work in geology and geochemistry cultivated my appreciation for the vivid colors of stones, like red sandstone or dark blue vulcanite, and were crucial to my artistic development because they inspired my first investigations into color and mood. My geological background has flowed into my current work, with the intense colors I came across there finding new expression in the magnetic planetary bodies, stars and constellations which make up the universe I have created through my art. I developed the term 'Transformable ART' to describe my new technique, because a key feature of it is the combination of painting and sculpture to produce pieces of art which are not static, but may change their appearance by manual interaction. Thus the work exists in a constant state of creation, ever changing in its dimensions and arrangements, a reflection of the universe itself.

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"Organic 1"

"Solys"

Kazem Heydari

Artist Page

Kazem Heydari’s paintings poignantly explore the interaction between limited human experiences and the limitless nature of space. Heydari captures the spontaneous, impassioned movement of the moment, empathizing with his figures’ psychological vulnerabilities and immortalizing them in crucial, emotive instances. Whether meditating, departing, gathering, or arguing, the figures in Heydari’s acrylic scenes all emit an intrinsic dignity.

The unimpeded horizons and the perspectival lines that define the space in each painting suggest an infinite openness, alluding to the intangible qualities of time and place. His figures move through abstracted rooms and landscapes of incalculable depth. While his ground is always solidly and decisively colored, Heydari’s figures remain uncolored, as if waiting to be shaped and tinted by the ungraspable, unseen auras of each environment they encounter.

Born in Tehran, Iran, Heydari studied Persian and Islamic painting with Master Ibhrahimi before moving to Germany in 1986. He has shown his work since 1989 and most recently exhibited at Art Cologne, at Mahe Mehr in Tehran, and at the Museum Kunst Palast in Düsseldorf.

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"The Marriage According to Nikolaj Gogol, 1st Act"

"The Opera of Troja"

Ana Laura Mena

Artist Page

Mexican artist ANAMENA’s magical realism vacillates between wonder and fear. Her stylized paintings are often dominated by bold, monochromatic compositions featuring solitary figures, creating enigmatic scenes that are simultaneously magical and potentially terrifying, hanging somewhere between explicit and implicit meanings. ANAMENA shows a preference for economic natural subjects like plants and animals, whose uncanny simplicity imbues them with a threatening edge. Painstakingly rendered organic forms swoop elegantly, small animals sit plainly, engaging viewers’ gazes and imaginations.

Beyond ANAMENA’s scrupulous application and familiar subjects, secondary meanings lurk and pictorial harmony risks collapse. Cacti take on prickly, sensual connotations; quaint animals become uncanny omens; beautiful scenes appear on the verge of disaster. Exploring this sublime ledge between beauty and fear ANAMENA articulates visual puns, relishing double meanings attached to archetypal images. At what point, she seems to ask, do familiar symbols stop being attractive and become unnerving? In ANAMENA's works the two no longer seem exclusive: her figures cling to the ledge between the elegant and the unnerving.

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"Jonás y la Ballena"

"Ying Estudio Para Maguey No. 22"

Sandra Mueller-Dick

Artist Page

Much of my work emanates from themes that are important to me, such as the figure and landscape. I start with something representational, which then evolves to become more abstract. 'Rays of Hope', for example, began with body parts, and developed into abstraction. My goal is always both to portray and evoke emotion, encouraging viewers to interpret what they see for themselves. I try to speak directly to the inner life of my audience, helping them to know and stay in touch with who they are, and to find that which can bring comfort and solace to their lives.

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"Landscapes of the Mind IV"

"Lanscapes of the Mind V"

Mufak Naoroz

Artist Page

For Mufak Naoroz, a stretch of canvas is like a window through which we manifest our own world. Since our lives are made up of fragmented yet connected moments, it is no surprise that Naoroz takes a cubist approach to painting. The method reflects the fact that our world is becoming more abstracted in our quest for individualism. Naoroz uses a modern style, but the design has classic elements. Although each work is made up of multiple geometric shapes, they share lines and surfaces of colors that work to build a bigger picture. The paintings therefore are figurative, with the subject matter ranging from flamingoes and flowers to musicians and people at rest.

In the midst of a design style meant to replicate the hustle and bustle of contemporary living, these scenes reflect the more quiet moments of life: bathing, napping, relaxed conversation, and waiting for the train. The colors—deep and soothing, yet full of lush warm tones—further exude calmness. Naoroz was born in Iraq in 1960 and in 1988 moved to Norway, where his works have been exhibited in solo and collective exhibitions.

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"Flute and Violin"

"Nap"

Robert Ransom

Artist Page

The subjects of Robert Ransom's paintings are enlivened both by the deadpan irony and the geometric precision with which they are portrayed. The subject matter, coupled with the rich intensity of his color choices and the flattened perspective, creates a mood of empathy for the pathos of human folly. One's gaze follows the strong lines across these darkly humorous scenes of the good life, and we take in the highly stylized images that are thick with attitude as well as powerful in composition. These are people who are living the American dream, but there is literally a dimension missing from their lives. No connection exists between his subjects, no passion that has not been mediated by the approval of status, material wealth and conformity.

In a time when American economic livelihood is threatened and the habit of "conspicuous consumption" is becoming more of a historical notion, Robert Ransom's vivid and biting commentaries are a stark and timely mirror. Robert Ransom received his Masters Degree in painting from Northern Arizona University, his work has been exhibited across the Western United States.

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"Wall Street"

"Cat"

Monte Shelton

Artist Page

Transporting the viewer into intriguing dreamscapes, Monte Shelton displays wonder and mystery of the natural world. Color represents light, light represents energy. Her paintings are concerned with energies that illuminate and emanate in the natural world. This light/energy is the ground in Shelton’s paintings. They permeate physical layers built upon that foundation, creating magical luminosity that reflects the layers of meaning within, representing landscape as metaphor. Shelton’s images are a fusion of observation and imagination, the abstract and descriptive. She blends the tension between light and shadow, the paradox of fire and water, hot and cold, life and death.

Expressive brush work represents energy spots, layering yellows and gold into languid blues and violets. Her paintings play weight against weightlessness, the static against the kinetic, making an original statement about the relationship between matter and energy. As landscape portraits, the acting force is nature itself—wind, rays of light, currents of water, the element of time—the movement is one of mystery, mythology, and the connection of nature and spirituality.

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"Signal Fires"

"Energy Stump"

Jackie Thiaudiere

Artist Page

Jackie Thiaudiere’s paintings explore the vastness of the natural world. The expanses of color and organic textures evoke a vital, harmonious openness. As minimal and ethereal as her paintings are, they invariably seem full and resolved. In her work, Thiaudiere responds to the four Aristotelian elements: air, fire, earth and water. Through these constituents, she is able to capture a range of sensations. Rough to lush, glowing to opaque, the sometimes motionless auras give her work a sublime quietness. By exploring the most fundamental, innate aspects of the natural world, Thiaudiere enters into a visual conversation about transcendence, essence and completeness. Ultimately, the visual unity of Thiaudiere’s work suggests that painting being attuned to nature brings us closer to understanding our world than anything else.

Born in France, Jackie Thiaudiere, has lived and worked in Quebec, Canada for over forty years. She has exhibited in Quebec, Chicago, Mexico, Nicaragua, Spain and France.

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"Geo-Marine Series No. 34"

"Geo-Marine Series No. 51"