Elemental Realms Cool, forest rivers and soulful, glowing sunsets will breathe life into audiences as they experience Agora Gallery’s Elemental Realms. This selection of gifted artists offers their visions of an untarnished natural world with crystalline clarity and a palpable brilliance. Beyond mere landscape painting, the artworks tap into the timeless spirit that connects all living things.
|
Eileen Berger

|
With vivid colors and dramatic compositions, Eileen Berger captures the lush and luscious beauty of the tropics. Berger's color palette is clear and pure—each painting offers an exquisite glimpse of a landscape full of mood and nuance. Her compositions offer a touch of complexity, as she places lines and colors in intriguing positions, offering her viewers an exciting and fresh perspective on a traditional landscape. Berger has traveled extensively throughout the Caribbean and the South Pacific and each locale made an indelible impact on her artwork and on her own artistic journey. She says, "My art is colorful, vibrant and happy and I hope others can feel and share in the joyful spirit in which it has been created."
Indeed, the viewer shares the feeling of serenity and joy gazing at Berger's pieces, which carry the spirit and beauty of each island she has captured on her canvas. Eileen Berger lives and works in Atlanta, Georgia.
|
|
click to enlarge
|
|
"Fiji Storm"
|
|
"Birds of Paradise"
|
|
|
|
Sema Culam

|
Raised in Istanbul, Sema Culam cites the rich civilization of the region as a large influence in her work. Though she initially devoted her talent to figurative abstract painting, she has now embraced a new style, utilizing naïve art techniques. While characterized as simplistic, the beauty of her work delivers a strong impact. Culam’s work offers a guided tour through rural life and agrarian customs. Each painting is like an illustration from a storybook, filled with quaintness and charm and rich with meticulous details. Rhythmic patterns and harmonious colors dominate her paintings and depictions of lush gardens, rolling hills, and common folk working the land evoke a sense of tranquility and ideals of purity and kinship.
Sema Culam is an award-winning painter, having been praised for her talent since she was a young child. Her work has been widely exhibited and collected in her own country as well as throughout the world, including Japan, the United States and France.
|
|
click to enlarge
|
|
"Tea Garden"
|
|
"Bride Convoy"
|
|
|
|
Susana Guardiola

|
A mark of a talented artist is when their work can call directly to the viewer's soul, but few artists can paint someone's true spirit. One of these rare artists is Susana Guardiola, whose sensitive and perceptive eye is able to look deeply into the soul of another and conjure an image which relates that individual's true self with uncanny clarity. Selecting elements from the natural landscape: trees, flowers and plant life, Guardiola creates a beautiful and colorful image of the spirit. A single bloom, centrally placed in the canvas climbs up the surface to represent a single person, while a field of flowers might symbolize a group of individuals. Guardiola often paints commissioned soul portraits from photographs, but other works, realized from the artist's own mind, find their true owners later; their spiritual, almost supernatural energy calling forth to viewers with an emotional intensity.
Susana Guardiola has exhibited her work throughout Europe and her paintings are included in numerous private collections. The artist lives and works in Zaragoza, Spain.
|
|
click to enlarge
|
|
"Exuberance"
|
|
"Anxious to Live"
|
|
|
|
Mustafa Gunen

|
Mustafa Gunen's seascape paintings submerge the viewer in an aquatic euphoria not seen since 19th Century artist Théodore Géricault painted his historic "Raft of the Medusa". While his paintings range from calm, soothing seas to tumultuous nautical storms, his demonstrative use of light and shadow enrapture the viewer within the mysteries of the sea. Born in Kirsehir, a small mid-Anatolian town of Turkey, Gunen is a self-taught craftsman. He began painting his beloved "picture stories" at a very young age, but subsequently turned to furniture making as an outlet for his skill. His two loves merged after he was initially inspired by Peter Ellenshaw, the 50s-era award-winning seascape/landscape animator. He began by painting his own dreamscapes on his furniture pieces, but soon moved to working with oils on canvas directly. Using a spare palette of black, white, yellow, red and navy blue, Gunen renders picture perfect oceanic dreams.
Gunen's paintings can be found in collections across Europe, as well as among the private holdings of Nevzat Boztas. His hope is to become the Ellenshaw of his generation, the artist who brings the inscrutability of the ocean to life and mystifies every viewer with his maritime fantasies
|
|
click to enlarge
|
|
"Moonlight and Sand"
|
|
"Last Twenty Second"
|
|
|
|
James Christopher Hill

|
James Christopher Hill's vibrant visions of the dramatic sky portray natural scenes of such astounding beauty that they simply defy description through words. Hill's breathtaking skyscapes serve as metaphors for emotions and memories of precise moments in his life and are imbued with an underlying spirituality. The artist, who poignantly understands the fragility of life, uses his paintings to capture fleeting moments, preserving them forever with lush oil paints in a resounding spectrum of vivid colors. In fact, color plays a primary role in the artist's perception and memory and therefore it becomes the centerpiece of his dynamic, swirling paintings. Since 2001, many of Hill's skyscapes deal with the topic of global climate change and through their powerful beauty encourage environmental awareness and conservation.
James Christopher Hill has painted traditionally, exploring the realms of portraiture and realism, since age twelve, but began painting skyscapes upon graduating with honors from the Ringling School of Art in Design in Sarasota, Florida. He lives and works in North Charleston, South Carolina.
|
|
click to enlarge
|
|
"The Cosmic Storm"
|
|
"Faith"
|
|
|
|
Marinella

|
In her traditionally composed paintings of flowers and Greek icons, Marinella expresses the peace, relaxation, and spirituality she connects with the act of painting. Although she renders oil-on-canvas floral subjects in hues reminiscent of the Renaissance tradition, she masterfully uses negative space and photographic angles to produce graphic images with a decidedly modern sensibility. Marinella’s works appear starkly divided into two categories, but they are intrinsically linked by her personal symbolism influenced by her deep faith and personal story. Rather than painting to express the sorrows of her past, Marinella paints to help the viewer escape the stresses of everyday life and retreat to a simpler time where forgotten values are embraced.
Marinella formally studied Greek Icon painting at a convent on the Isle of Crete and continues to independently develop her techniques, working both in the traditional medium of egg tempera on wood and in oil on canvas. Marinella exhibits her work in New York and lives and works in Zurich.
|
|
click to enlarge
|
|
"Gandavensis Hybrid"
|
|
"Nymphaea Alba"
|
|
|
|
Grace McKee

|
Greatly influenced by the variety and palette of her childhood in India, artist Grace McKee emerges as a master of color as transposed through texture. The treatment of her subject matter is alive with an innate vibrance, each brushstroke akin to a metaphoric heartbeat. McKee's paintings are reminiscent of pastoral Renaissance scenes illustrating a romanticized utopia. However, unlike the bawdy and grandiose manner in which Pastoral subjects are typically rendered, McKee chooses to reflect a sensibility rooted in the real, offering a locus of desire which is in fact tangible and soft on the senses.
Collective worldly beauty, an impervious attention to subtle textural nuances, and an eye for color are at the core of Grace McKee's painting. She allows a space for the viewer to reflect, pleasing the eye and the countenance. McKee entices the viewer to touch and ultimately feel her brushstrokes, reflecting a certain warmth and and gentle affability common to each of her works.
|
|
click to enlarge
|
|
"Contemplation"
|
|
"Prickly Pear Cactus"
|
|
|
|