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  • Aladdin's Enigma
    Wood
    10" x 12" x 8"

  • Untitled V
    Wood
    23" x 15" x 13"

  • Core
    Wood
    25" x 20" x 17"
    Sold

  • Root Bowl
    Wood
    6" x 12" x 12"

  • Untitled III
    Wood
    11.5" x 24" x 8.5"

  • Chrysalis
    Wood
    10" x 13" x 11"


Randal ColbathRandal Colbath

Randy Colbath

Enigmatic Perspectives
January 8 - January 29, 2010 Reception: Thursday January 14, 2010 6-8 PM

Press Release

For Randy Colbath, a sculptor from Maine who crafts spectacularly delicate forms from salvaged wood mainly using power tools, his material of choice is simultaneously inspiring and challenging. Discussing a recent series, he explains his preference for “using unfigured wood painted black. It dematerializes the wood,” he says, “and resembles fabricated metal.” However, Colbath also derives inspiration from the unique properties of each piece of wood he approaches, forming its imperfections and quirks into prominent features of his completed pieces.

Colbath’s creations occasionally evoke figurative shapes like human bodies and plant forms, but more often he crafts enigmatic objects that especially evoke surrealism and minimalism. Certain pieces remind one of the smooth abstraction of Constantin Brancusi, whereas others disrupt the pure shapes and exquisitely smooth lines with jarring holes and cracks and aggressively pointed ends. This tension between stripped, formal, occasionally fragile objects and the nearly violent, tangible forcefulness of the material make Colbath’s sculptures a fascinating synthesis of physical and ephemeral traits.


Artist Statement

My recent family history includes people who were adept at multiple forms of craftsmanship. In college I discovered my talent for wood shaping and spent many hours making small sculptures. The creation of line and form plus many years of study and the practice of photography and metal fabrication melded into the sculpture I do now. Wooden vessels and larger scale work are the culmination of thirty years of artistic and engineering work. The aesthetic is derived from a unique wood and personal and appropriated styles. A new trend involves working from drawings and using unfigured wood painted black. It dematerializes the wood and resembles fabricated metal. I have also begun to incorporate art historical themes into my art. I am always learning, always developing.

Invitation to the exhibition | View the catalog page

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Artists in this exhibition
The Mistakes I MakeWhite # 2What's Left of My HeartHF IIIAladdin's EnigmaEmotion IISpheres

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